The shirt does not say shy. It does not say quiet or reserved or please give me a moment. It says NOT FRIENDLY in the flat, capitalized register of a hazard placard, sets that phrase above DO NOT TOUCH, and frames the whole instruction with two borrowed instruments of public safety: a yellow caution triangle
The garment image shows a rectangle of black-and-white speckle, the mottled grain of a composition notebook cover, running across the chest. Down the left side sits a dark binding strip. Inside the rectangle, a white ruled label is headed COMPOSITION, and within that label an outlined ghost and an outlined pumpkin sit together. The whole
The instrument, not the slogan Biodiversity Net Gain (BNG) in England is often described as a market in nature. The statutory record is more specific, and more useful. BNG is a condition of planning permission: developers of sites requiring planning permission must deliver a 10% net gain in biodiversity, measured by a statutory metric, under
The artwork is a ring of text. LET’S ROOT FOR EACH OTHER AND WATCH EACH OTHER GROW wraps around four smiling root vegetables — a carrot, a radish, a beet, and an onion — each drawn with its roots visible in soil. The vegetables are cartoons, not botanical specimens: faces, rounded bodies, the root tapering
The garment preview shows a dark shirt with a very small, centered, lowercase meh. set in the middle of the chest. No animal illustration. No slogan wrapping around the torso. No exclamation point. The period is there, and it matters: it closes the sentence before anyone else can add to it. The scale is the
In February 2025, the Article 6.4 Supervisory Body met in Thimphu, Bhutan, and did three things that will shape how carbon credits are produced for years: it agreed to launch an interim mechanism registry, adopted a standard for demonstrating additionality, and approved the first transition of a Clean Development Mechanism activity into the new Paris
Editor’s note: This publication and Quirky Cotton Collective share an owner. The garment preview shows four characters in large, bold, white lowercase type on a dark shirt: meh. The period is part of the artwork. No animal, no slogan beneath it, no illustration to soften the word. The type is set at a scale that
Two white shapes sit on a dark ground. On the upper left, a dashed circle — an outline, an absence, a position marked but not occupied. On the lower right, a solid ball rests on a flat ledge. Between them, a curved ramp descends. Above it all, in white capitals: I HAD POTENTIAL. That is
Editorial note: This publication and Quirky Cotton Collective share an owner. The shirt reads like a piece of municipal infrastructure that got lost on its way to a fence line. Across the chest, in the block lettering of a hazard placard, the words NOT FRIENDLY sit above DO NOT TOUCH. Between them, or beside them,
Editorial note: This publication and Quirky Cotton Collective share an owner. The rectangle is black-and-white speckled, the way a composition notebook cover has been speckled for decades. A dark binding strip runs down the left edge. Inside a white ruled label headed COMPOSITION, an outlined ghost and an outlined pumpkin sit together. That is the
